School of Fine Art Sculpture & Environmental Art

Jinyoung Lee

Jinyoung’s artistic practice revolves around ceramics as a foundational medium, supplemented by a diverse array of mixed materials to occupy and define spaces within her work. Rather than providing explicit explanations of her pieces, Jinyoung opts to entrust interpretation to the viewers, fostering a multitude of potential meanings and connections. This approach encourages engagement and invites individuals to bring their own perspectives and experiences to the artwork.

In her creative process, Jinyoung gravitates towards indirect modes of communication, favoring subtlety and nuance over overt statements. She finds intrigue in exploring intangible concepts and values, delving into the realms of the unseen and the transcendent. Her work often navigates the liminal spaces between tangible and abstract, known and unknown, seeking to evoke contemplation and reflection in the audience.

Through her artistic endeavors, Jinyoung endeavors to spark dialogue and introspection, inviting viewers to explore the boundaries of perception and meaning. Her focus on the interstitial and the ineffable reflects a curiosity about the complexities of existence and the interconnectedness of all things.

Contact
na.leejinyoung@gmail.com
J.Lee10@student.gsa.ac.uk
instagram
website
Works
hidden II:cave
hidden III
_less
 Book:Exploring the Intangible in Ceramics

hidden II:cave

porcelain ceramic

approx.1300x10000x50 cm, 2024

These objects are emerged from the realm between the seen and the unseen. It features concealed text inscribed within three- dimensional ceramics. Partially veiled, the piece exudes a subtle presence, withholding its colour and the presence of internal writing unless closely scrutinized.

series works [hidden II:cave] is placed in the outside of stow building on the ground next to stow cafe.

hidden III

ceramic, tree branch

approx.330x250x200 cm, 2024

The tile work, suspended from a tree branch, features a glazed front while its back is adorned with visible:invisible writing, creating the illusion of readable. The other ceramics placed in the front floating flow gives the impression that the paper is being blown by the wind.

series works [hidden III] is placed on the ground floor of stow building.

_less

250x70x200cm

porcelain ceramic, wood panels covered with fabric, 2024

This artwork presents a departure from the typical form of a jar. The bottom of the jar is missing, rendering its function obsolete. The piece is partially obscured, resembling a faint presence behind a screen, giving the impression of floating in mid-air. It speaks to the loss of functionality in pottery and also touches upon the value of labor. By placing a translucent screen in front of the artwork, the artist gradually divides the space leading up to the piece, expressing the struggle of revealing personal narratives within the artwork until they are visible in the exhibition.

 Book:Exploring the Intangible in Ceramics

Exploring the Intangible in Ceramics is an artist book that commemorates her two main ceramic projects, Lang Craigs and _less, spanning from March 2023 to January 2024. The book seeks to expand upon the narrative of the exhibitions, offering readers a deeper understanding of her creations and the inspiration behind them. It aims to engage a wider audience by immersing them in the essence of her work and shedding light on her artistic themes. Additionally, the book includes insights into her commitment to ceramics as her primary medium, showcasing her experimental works in a visual essay format. The book reflects her exploration of the interplay between the intangible and the tangible. Its design and layout are inspired by the shapes and textures found in her ceramic artworks, accentuating their ethereal essence and fluidity.

Book design by Seungah Lee