Through ‘(In)visible heritage / residues of labour’, I my trace heritage and searching for a closeness to the histories that form my identity and sense of belonging. I focus on my maternal ancestry, exploring the histories of my South Asian diasporic heritage alongside generations of my South London-based roots.

Reflecting on the lives of my ancestors, I examine the material traces of inherited personal belongings, piecing together fragments of memory from the stories and artefacts passed down through generations. I reflect on the trauma, struggles, and migration of my relatives and the stories that have coloured their lives.

I explore material histories of touch, wear and interaction in their closest possessions that survive. Through sensory-focused recording of these micro-scapes, I piece together these traces. They reveal the agency of human touch and the residues of past presence in the gestural marks we leave behind. I retrace my ancestors’ footsteps, engaging with the places and artefacts that hold layers of emotional memory. Practice-based exploration of these histories unlocks clues to understand and form narrative history.

My practice draws connections to the traditions of craft and labour passed down through the generations, using materials such as printed fabric and tailor’s chalk to reflect our family’s tradition of clothes-making. Traditional printmaking connects me to my great-grandfather’s old printing press in Lucknow, India.The installation serves as an evolving archive, revealing linkages and creating new narratives. Emulating domestic forms, it touches upon a familial imaginary of home and domestic spaces where family memory is formed. Contending with loss and remembrance, I navigate and deepen my understanding of this connection to my heritage. Spending time with this history and associated traditions brings me closer to my family’s past lives.