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Deline Garment Printer by Kristofer Mcleod

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Project Process Journal by Amanda Heavey

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Project Portfolio Booklet by Amanda Heavey

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360 Degree Video Tour by Amanda Heavey

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Standard Resident Flat by Amanda Heavey

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Accessible Resident Flat by Amanda Heavey

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Community Hub & Unity Level by Amanda Heavey

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Intake House by Amanda Heavey

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Project Introduction & Site Plans by Amanda Heavey

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Theatre of sudden encounters by Magda Wloczka

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S.A.0nce by Megan Queenan

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Symphony of Play by Nandini Goel

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WRITING FOR TODAY, LETTERS FROM TOMORROW by Syafiq Asyraf Bin Mohamed Daud

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The Old Earth Cantos by Luke Andrew

The water cremation space holds witness cremations which means once the bereaved enter the space they will be able to dress the casket, normally with flowers or pictures, and then they will witness the cremation. This active participation allows them to be engaged with the process. I also wanted this intimate space to be able to be opened up to the public in a controlled and educational way. So as you can see in this visual the ceiling is actually a void space which has a curtain that can be opened to let the public in or closed to allow complete privacy. Viewing a body has many benefits to the bereaved, often times seeing is believing and viewing the deceased a time for everyone to say goodbye to the deceased in their own personal way. I think through media. Corporations and how much death had been medicalised over the years, deceased bodies have been removed from society and stigmatised. By allowing people to witness a cremation and see the body in a safe and controlled way, this space will reduce the fear of bodies, and therefore the fear of death.
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Death Doula by Eilidh McEwan

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Glasgow’s Show Quarter by Hannah Keane

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‘SET THE SCENE’ – Create and Capture. by Sophie Campbell

This image shows the set of artefacts making up the 'High Time' kit
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Snap Out of It: Subversion of working time to create moments of reflection by Andrew Smith

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Copper Bark by Lloyd Sale

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Make Do by Abby Hopes

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perform – stay – play by Katy Hope

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Exhibition Intro by Emese Stork

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Research by Emese Stork

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The Family Support Network by Sophie Young

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EasyPiste600 by Harris Booth

Sound Plan
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Framing and Containing by Mentor-Petros Voyatzakis

Repetition - Interaction - Emergence
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This is half you. by Mentor-Petros Voyatzakis

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Rituals by Emese Stork

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Neighbourhood by Stella Stewart

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The Site by Emese Stork

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‘Excersing Exsistance’ by Emma Read

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Moments in Micro-Communities by Muhd Sufyan

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Individuality in Micro-Spaces by Muhd Sufyan

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Duo by Calum Warden

dad-code-branding-design
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Penguin x Spotify by Pei Qi Tan

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Touch 2020 by Pei Qi Tan

dad-code-feature-image-branding-design
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Dad Code by Pei Qi Tan

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Coffee? by Choo Qianyi Emily

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Hello there by Xiaojia Ouyang

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We are different, aren’t we? by Xiaojia Ouyang

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Life Mutations by Martha Stefani-Bose

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Sexism within Horror by Kara Mclean

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This Place in My Bones by Clare Robb

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The Ladies Pool by Sophia Steele

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Project Summary by Emese Stork

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Cancer Education in 2030 by Ruka Kameda

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Wander About the Highland games by Stephanie Lynch

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The Playground: An alternative social experience by Haili Wu

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‘What Has Been The Worst Part Of The Pandemic For You?’ by Kara Mclean

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Faceless Decision Makers – ‘In Conversation with Kafka’ by Julita Hanlon

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Kiki: Future Remote-Care Experience by Haili Wu

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Faceless Decision Maker and ‘I will tell you this…’ by Julita Hanlon

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Faceless Decision Makers (Your Fate is Sealed) by Julita Hanlon

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Faceless Decision Makers – ‘I dub thee…’ and ‘The Other’ by Julita Hanlon

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ALKA – Cultivating Air by Benjamin Sammut

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Educushion by Arwen Borris

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Stress Less by Arwen Borris