This work is meant to represent a female figure, emerging, reassembling and exploding. This piece originated from the idea of dismantelling religious archetypes from the artist’s personal cultural background. The casted figure is positioned on the ground to suggest an emergence from the underworld, like some ancient long-forgotten goddess being recalled from the underworld. The figure is broken, with different pieces floating in the space: a fragmentation that formally correspond to a dislocated identity, such as those often felt by women in the negotiation of their identity beyond gender roles. The soy wax used in high percentage for this life cast, offers a more organic aesthetic to the sculpture whist also preserving remnants of the original plaster mold and imprints from the process of de-moulding. Thus the piece functions also as a process, where its different wax layers and the signs of the physical gestures employed in its creation come to contribute to its textured and uncanny quality.