Dry Point Etching

Nudity

This selection of drypoint etchings reflects how deeply the technique has become embedded in my practice. With drawing at the core of most of my work, etching has offered a way to refine and evolve my illustrative style through a slower, more deliberate process. I’m drawn to the intentionality of mark-making in drypoint, the physical act of incising the plate feels almost sculptural, allowing me to build texture, atmosphere, and depth into each image. The resistance of the surface and the unpredictability of the ink catch bring a tactile immediacy that continues to shape how I approach image-making.

One week of mornings (with him)

A5 dry point etching and masking tape - from a short project I did inspired by a poem I wrote about waking up next to someone you love.

The Doors of Perception

A5 dry point etching taken from a book cover I designed for The doors of perception by Aldous Huxley.

She Came To Stay

A5 etching for a book cover project I did for She Came To Stay by Simone de Beauvoir

Albert Camus

6cm x 6cm etching of Albert Camus from the back of a book cover I made for his book The Stranger.

Pre sex flex

4cm x 6cm
For Sale: £5

One week of mornings (with him)

5cm x 5cm