Orchestrations

Orchestrations (2024) was a performative video work that I developed whilst first considering how we might perform intimacy, and how individual intimate experiences might be echoed throughout the collective. I was thinking a lot about notions of performing the self, and how institutional activity can be viewed as being composed of personal interactions, and was beginning to use lens-based media as a means of moving my written practice into a more visually evocative one. A random intrigue surrounding the work of intimacy coordination in media also fed the workโ€™s ideation, and I collaborated closely with a set of performers to choreograph its realisation.

The work exists as a single-channel video, featuring subtitles of a text that accompanied the work in its display at Burns St Studios in the autumn of 2024, where it was presented as a two-channel video and vinyl text installation.

The text included references to both Krausโ€™ I Love Dick and to personal conversations, it read:

๐˜ˆ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ถ๐˜ฃ, ๐˜ธ๐˜ฆ ๐˜ฆ๐˜น๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ท๐˜ข๐˜ณ๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜ฅ๐˜ฆ๐˜ง๐˜ช๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ฐ๐˜ง ๐˜ช๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ. ๐˜ ๐˜ข๐˜ณ๐˜จ๐˜ถ๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฑ๐˜ณ๐˜ฐ๐˜น๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜บ, ๐˜ข ๐˜ง๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ฆ๐˜ด๐˜ค๐˜ณ๐˜ช๐˜ฃ๐˜ฆ๐˜ด ๐˜ฎ๐˜ถ๐˜ต๐˜ถ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ข๐˜ด๐˜ด๐˜ถ๐˜ณ๐˜ฆ๐˜ฅ ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฃ๐˜ฆ๐˜ฅ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ฏ๐˜จ๐˜ญ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต.

๐˜ ๐˜ด๐˜ฆ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆ, ๐˜ธ๐˜ข๐˜ด๐˜ฉ ๐˜ฃ๐˜ฐ๐˜ต๐˜ฉ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ด, ๐˜ฑ๐˜ญ๐˜ข๐˜ค๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ๐˜ฌ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฌ๐˜ฏ๐˜ช๐˜ท๐˜ฆ๐˜ด, ๐˜ฑ๐˜ญ๐˜ข๐˜ต๐˜ฆ-๐˜ธ๐˜ช๐˜ฅ๐˜ต๐˜ฉ ๐˜ข๐˜ฑ๐˜ข๐˜ณ๐˜ต.

๐˜๐˜ตโ€™๐˜ด ๐˜ข ๐˜ด๐˜ค๐˜ข๐˜ต๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ: ๐˜ˆ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ค๐˜ฆ๐˜ด๐˜ด ๐˜ฐ๐˜ง ๐˜ฑ๐˜ณ๐˜ฐ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜จ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ, ๐˜ค๐˜ฉ๐˜ฐ๐˜ณ๐˜ฆ๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜บ, ๐˜ฃ๐˜ณ๐˜ช๐˜ฏ๐˜จ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฐ ๐˜ข ๐˜ฑ๐˜ถ๐˜ฃ๐˜ญ๐˜ช๐˜ค.

๐˜ˆ๐˜ฏ๐˜ฅ ๐˜ช๐˜ด๐˜ฏโ€™๐˜ต ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜ญ๐˜ฆ๐˜ต๐˜ต๐˜ฆ๐˜ณ ๐˜ข ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ญ๐˜ฆ๐˜ต๐˜ต๐˜ฆ๐˜ณ? ๐˜Œ๐˜ฒ๐˜ถ๐˜ข๐˜ญ ๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ด ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฐ๐˜ง ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆ.

Celeste MacLeod-Brown, Orchestrations (2024), Installation View

Orchestrations (2024), Installation View

Celeste MacLeod-Brown, 'Orchestrations' (2024)

Orchestrations (2024)

Celeste MacLeod-Brown, Orchestrations II (2024), video still

Orchestrations (2024), video still