Winner

The Alice Duncan Prize

Fine Art Photography School of Fine Art

Ocean (They/She/It)

My name is Ocean (they/she/it), I identify as both trans and non-binary. I am a maker, performer and DJ.

My practice is orientated towards self-care and collective healing. The work I make is guided by a process of learning and understanding states of the self. Through a grounding in queer and non-binary practitioners my work envisages potential futures that drift away from the ebb and flow of contemporary culture and engrained routes of pain and violence. My creative process is driven by a passion to learn and reflect upon places of emotional hardship and move towards positions of self-love, peace and empowerment.

I understand much of my work as dance. Dancing with a canvas, a surface, a sound, movement, emotion, word. Gestures inscribed onto an object preserved in time as representations of resistance. In my degree show exhibit these acts of dance are preserved through the material forms of photographic paper, canvas, fabric, paint, hair, concrete, latex, silicon, sound waves, and the very infrastructure of the space itself.

This past year I wrote a dissertation titled ‘Beautiful Monsters: An investigation into queer post-human dreaming’. The idea behind this research project was to explore the potential for feelings of hopefulness that lie in artistic visions of the non-human. Hence, grounding my work within the context of other queer and marginalised thinkers and makers who too seek freedom and comfort in imagining worlds and futures beyond our current understandings of reality.

I see art as having a transformative power to evoke love, kindness, care and compassion. These feelings draw me to creativity and inspire me to find community within the shared love for transforming and transcending what queer theorist Jose Esteban Muñoz refers to as ‘the here and now’.

 

For all sale and commission inquiries please email oceanangelmermaid@gmail.com

Contact
ocean.saumarez@gmail.com
O.Dobree1@student.gsa.ac.uk
Instagram
Works
CUNT
Paint, Fabric and 3D
RHIP performance

CUNT

Caution extremely hot creature

This series of work explores the potential post-human desires for becoming other. Through the act of transforming the body one is able to grant access to the feeling of transcending the moment and reality that lies before them. The photography project looks at different stages of a transformation and aims to reveal altered levels of emotion associated with these stages.

In context to trans experience this work serves to share and educate about the idea of struggle and resistance. The body’s ability to become something desirable or something that resembles a fantasy self. Expressing how the journey to reach a place of comfort and euphoria within the self and the bodies situated-ness in the skin comes at a cost of hardship. Whilst displaying the full range of emotions that one can feel through a process of transition is near impossible this project hopes to show gestures or snapshots of this journey. From hurt and broken, empowered and fierce to soft and gentle, reflective and melancholic.

BIG(finaledit)

For Sale: On request

install1

For Sale: on request

small3

For Sale: on request

mid(final)healed&softened

For Sale: on request

Paint, Fabric and 3D

Selected painting and sculpture work as part of the same exhibit at Glasgow School of Art Degree Show 2023.

These multi-media experiments investigate an intimate and raw relationship to the body. Through the gestures of my body I am able to directly map feeling and experience onto a surface, like scars on the skin revealing a story or experience of the past. These works are personal extensions of my self. Creating an environment within the Degree show exhibit for these works to feel at home and in balance was a paramount focus when curating the exhibit. Conducting the performance ‘RHIP’ allowed me to channel energy into that space and re-contextualise the white borders of the boxed edge gallery space to become a house for these works alongside the photography.

RHIP performance

I will make a mess, I will refuse to be contained and I will hold ground for the ever certain possibility of being misunderstood.

“Queer mess is to do with asserting the value and pleasure of formations of knowledge that sit outside long-standing institutional hierarchies of research . . . an embodied resistance to sanitary boundaries” – Alyson Campbell and Stephen Farrier on the Practice of Queer Mess as Research

The work, ‘RHIP’, performatively acts to queer the white cube academic landscape through an embodied process of queer messiness. Paint is the vessel and hair, as an extension of the body, is the carrier for these gestures of resistance.

The residue, the remains, the energy left behind from ‘RHIP’ hint to an act that refuses to reveal itself in full luminosity. To ‘RHIP’ is to break through the boundaries of academic frameworks for success, to mess with the architecture of the space and embrace the inevitability of failure.

 

 

 

Performance photography by Samual Temple