Textile Design
Reid Building, 23 students
The work of the Textile Design 2025 cohort demonstrates exploration of ideas through drawing, colour, design, materials and technical processes. Inspiration and project themes include natural and manufactured environments, personal collections, religious relics, heritage details, form, reflection and distortion, place, memory and well-being. Responsible and sustainable design manifests through material, process, application and context.
Textile Design at The Glasgow School of Art encourages learning from heritage techniques and innovation through process, material, colour and design. We offer the opportunity to study weave, knit, print and embroidery before specialisation in one of these pathways.
Sponsors
from Earthheld
from Complimentary Project
from Earthheld
from Research
from Research
from Development
from Interwoven Reflections
from Additional Portfolio Project
from Additional Portfolio Project
from Interwoven Reflections
from Interwoven Reflections
from Studio – Collecting Cobwebs
from Studio – Development
from Studio – Collecting Cobwebs
from Studio – Development
from Studio – Collecting Cobwebs
from Woven Transitions: From structure to surface
from Woven Transitions: From structure to surface
from Through the Lens
from Through the Lens
from Woven Transitions: From structure to surface
from Wild Adornment: Textile Tales of the Animal Kingdom
from Wild Adornment: Textile Tales of the Animal Kingdom
from Wild Adornment: Textile Tales of the Animal Kingdom
from Wild Adornment: Textile Tales of the Animal Kingdom
from Wild Adornment: Textile Tales of the Animal Kingdom
from Sensory Stillness
from Sensory Stillness
from Sensory Stillness
from Additional Portfolio Project
from Additional Portfolio Project
from Elegant Decay
from Elegant Decay
from Extending Design: Reflective Encounters – Complementary Project
from Extending Design: Reflective Encounters – Complementary Project
from Elegant Decay
from Design Explorations
from Complimentary Project
from Material Close Ups
from Complimentary Project
from Material Close Ups
from Choreography of 2D to 3D (collection 2 and 3)
from Choreography of 2D to 3D (collection 1)
from Choreography of 2D to 3D (collection 2 and 3)
from Touchscape-extending project
from Choreography of 2D to 3D (collection 2 and 3)
from Place
from Place
from Place
from Place
from Place
from Design Development
from Primary Photographs
from Design Development
from Textiles of Time
from Design Development
from Final Collection
from Final Collection
from Additional Project
from Visualisations&Draping
from Final Collection
from Marine leisure: Abstraction and Endurance
from Marine leisure: Abstraction and Endurance
from Marine leisure: Abstraction and Endurance
from Marine leisure: Abstraction and Endurance
from Marine leisure: Abstraction and Endurance
from Drawings
from Final Collection
from Drawings
from GLAMHSA
from Visualisations
from Research
from Design Exploration and Early Sampling
from Drawings
from Language of Flowers
from Language of Flowers
from Processes and Development
from Processes and Development
from Processes and Development
from DIGITAL WORK
from DIGITAL WORK
from VISUALISATIONS
from SKETCHBOOK
from DIGITAL WORK
from Additional portfolio project
from Additional portfolio project
from Additional portfolio project
from Artefacts of the ordinary and divine
from Artefacts of the ordinary and divine
from Aerial Calm: Reclaiming Nature in Transit
from Woven Alchemy
from Woven Alchemy
from Aerial Calm: Reclaiming Nature in Transit
from Woven Alchemy
from TRANSPARENT
from TRANSPARENT
from FURNISHING COORDINATION
from FURNISHING COORDINATION
from TRANSPARENT