Painting & Printmaking
Stow Building, 63 students
Painting and Printmaking is the largest specialist programme within the School of Fine Art. The programme of study is practical and theoretical, focusing on enquiry and production in a lively studio environment.
Painting and Printmaking at the GSA reflects the complex and changing conditions, ethics and currencies of art-making, responding to new ideas. An awareness of histories and applications of painting alongside contemporary debate are all fundamental to our programme of study, which acknowledges and critiques painting’s legacies, and prioritises experiment and innovation. Painting is understood as a vehicle of thought and expression, a capture technology and an intellectual discipline. Printmaking is rooted in an exploration of visual representation and dissemination aligned to the materials, processes and formats of established and developing technologies.
The programme encompasses a range of approaches to our disciplines and suggests an expanded field – between what is hand-driven and machinic – from their interactions.
from The Figments, 2025
from Gathering, 2025
from The Figments, 2025
from Hospitable?, 2025
from Treatment of the walls
from Degree Show 2025
from Family Archives
from Degree Show 2025
from Glasgow Held and Heard
from Degree Show 2025
from ‘The Sun is low’
from ‘Skarbnytsya Posters Archive’
from Selected Paintings
from 2022-25
from 2022-25
from 2022-25
from Selected Paintings
from All We Need Is A Window To Some Sky
from All We Need Is A Window To Some Sky
from Other Works
from All We Need Is A Window To Some Sky
from Other Works
from Like Stranger, Like Friend
from Starburst
from Remix
from Remix
from Rhapsody
from My God, Are We Gonna Be Like Our Parents?
from My God, Are We Gonna Be Like Our Parents?
from March of The Swivel Heads
from My God, Are We Gonna Be Like Our Parents?
from On Days Like These
from Whose reaching limbs recall my own?
from Fieldwork – The process
from Fieldwork – The process
from Whose reaching limbs recall my own?
from Whose reaching limbs recall my own?
from Degree Show
from Greenlaw-Performance
from Degree Show
from Degree Show
from Campbeltown-Performance
from Degree Show
from Cut Outs
from Degree Show
from Paintings
from Degree Show
from Degree Show
from The Runaway Squash
from Degree Show
from Shadows
from ‘The Herring Queen’- Degree Show
from ‘The Herring Queen’- Degree Show
from ‘The Herring Queen’- Degree Show
from ‘The Herring Queen’- Degree Show
from ‘The Herring Queen’- Degree Show
from Wave Compositions (I – V)
from Sea States (I – IV)
from ‘Sea States’ book
from ‘Sea States’ book
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Home is a Place in my Mind
from Home is a Place in my Mind
from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.
from Home is a Place in my Mind
from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.
from untitled #2
from untitled 12
from Brothers
from untitled #1
from Untitled #5
from Fire Scenes
from Fire Scenes
from Fire Scenes
from Fire Scenes book
from Fire Scenes
from Tin Church
from Tin Church
from Tin Church
from Tin Church
from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.
from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.
from Room to Swing a Cat, April 2025. Oil on canvas, 150 x 200cm.
from Ravenous, April 2025. Oil on canvas, 150 x 200cm.
from Room to Swing a Cat, April 2025. Oil on canvas, 150 x 200cm.
from Painting details
from Degree Show
from The Snails
from The Snails
from Degree Show
from Work
from Work
from Degree Show
from Work
from Weather Reports
from What We Leave Behind
from What We Leave Behind
from What We Leave Behind
from What We Leave Behind
from What We Leave Behind
from Degree Show Shots
from Work
from Degree Show Shots
from Work
from Work
from Sandcastles (2025)
from Sandcastles (2025)
from Sandcastles (2025)
from Sandcastles (2025)
from Sandcastles (2025)
from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from Paintings
from Degree Show Installation
from Paintings
from Degree Show Installation
from Degree Show Installation
from Leaning on the Everlasting Arms
from Gestus
from What Lurks (After Lockheed Martin)
from Gestus
from Leaning on the Everlasting Arms
from Matters of Consequence
from Matters of Consequence
from Health and Safety Poster
from Matters of Consequence
from Health and Safety Poster
from Degree Show
from Degree Show
from Degree Show
from Degree Show
from Powódź/Flood
from Subsymbolic
from Subsymbolic
from Subsymbolic
from Subsymbolic
from Subsymbolic
from ABSTRACT
from PORTRAITS
from ABSTRACT
from SCULPTURE
from COLLAGE
from Spokes I-IV
from Spokes I-IV
from Scales
from Spokes I-IV
from 2 Visits
from Untitled
from The Weather Inside a Greenhouse
from Haunted by Prehistoric Dinosaurs
from Untitled
from Haunted by Prehistoric Dinosaurs
from Ethan Logan – Paintings
from Ethan Logan – Paintings
from Ethan Logan – Paintings
from Ethan Logan – Paintings
from Ready and Waiting (2025)
from Held in Line (2025)
from Line Up (2025)
from Untitled
from Untitled
from Untitled
from I Intend to Count Lambs
from I Intend to Count Lambs
from I Intend to Count Lambs
from Degree Show
from Degree Show
from Collagraphs
from Collagraphs
from Degree Show
from The Unravelling Body
from The Unravelling Body
from The Unravelling Body
from The Unravelling Body
from The Unravelling Body
from Orla Bradie
from Orla Bradie
from Orla Bradie
from Orla Bradie
from Orla Bradie
from “Common People”
from “Common People”
from Installation
from “Common People”
from “Common People”
from Overview
from Overview
from The Return of The Background
from Overview
from Overview
from Letters from Glasgow
from Letters from Glasgow
from Look Again
from Letters from Glasgow
from AUGURIES OF EXIT
from AUGURIES OF EXIT
from Other Work
from AUGURIES OF EXIT
from AUGURIES OF EXIT
from Degree Show Works
from Degree Show Works
from Degree Show Works
from Degree Show Works
from Degree Show Works
from Disembark in Stromboli
from Untitled
from The Frame Within
from Disembark in Stromboli II
from Untitled
from Other Works
from Table Manners
from Table Manners
from Table Manners
from Other Works
from Eggs and onions
from Junction US2
from Empire builder
from Voodoo bird
from Sauchiehall street
from ‘Specimens’
from ‘Specimens’
from ‘Specimens’
from ‘Specimens’
from ‘Specimens’
from ‘A cross without nails (I), (II), (III)’
from ‘Hidden in plain sight’
from ‘A cross without nails (I), (II), (III)’
from ‘Before and after (2025)’
from Degree Show
from Degree show: Untitled 202505
from Degree show: Untitled 202505
from Degree show: Untitled 202505
from Shanshui System 202503
from Shanshui System 202412
from >user#14051974; give me space and money >user#10082003; no
from >user#14051974; give me space and money >user#10082003; no
from >user#14051974; give me space and money >user#10082003; no
from >user#14051974; give me space and money >user#10082003; no
from >user#14051974; give me space and money >user#10082003; no
from Degree Show Work
from Printmaking Works
from Printmaking Works
from Printmaking Works
from Stagger Hame
from Stagger Hame
from Stagger Hame
from Stagger Hame
from Stagger Hame
from Degree show
from Degree show
from Degree show
from The City
from Degree show