Master of Fine Art
Glue Factory, 24 students
This two year multidisciplinary programme offers students an extraordinary opportunity to analyse their studio practice in depth, and to modify, develop and secure it accordingly. The multidisciplinary context also ensures that such developments are protected against narrowly defined ambitions.
MFA students learn from, and contribute to, the delivery of the programme curriculum, the experiences of their peers, and the wider art community based within the city of Glasgow. Within this situation a premium is placed upon independence, originality, initiative and enterprise.
Sponsors
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from Fireworks in White Sun
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from Exit Ghost
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from A Silent Instrument
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from Fireworks in White Sun
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from Exit Ghost
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from Statement; Q&A
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from Tension Points
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from Tipping Point No.1-9
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from I must hitch up my girl knickers before it’s too late!
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from I must hitch up my girl knickers before it’s too late!
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from I must hitch up my girl knickers before it’s too late!
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from I must hitch up my girl knickers before it’s too late!
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from I saw moths when I was manic
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from I saw moths when I was manic
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from I saw moths when I was manic
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from Squalid existence (2024)
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from Unbearably missing (2024)
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from Door opening (2023)
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from Sleep easy (2024)
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from Squalid existence (2024)
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from How to rub my back?
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from The face
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from A dog and her owner
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from How to rub my back?
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from A Mother and Her Daughter
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![Still](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/05/27230141/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20240513085148-1024x567.png)
from Seven days
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from Karma fire
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from Karma fire
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from Seven days
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from Karma fire
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from Exuviae
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from Icarus burns and I burn with him
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from but settled and fused
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from Icarus burns and I burn with him
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from but settled and fused
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from 1 Question ⋅ 20 People ⋅ 20 Glasgow ⋅ 20 World
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from DNA mirror
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from Where_is_语言_مرضی_nehmen 나?
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from DNA mirror
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from 1 Question ⋅ 20 People ⋅ 20 Glasgow ⋅ 20 World
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from Sculptures
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from Prints
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from Sculptures
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from Prints
![The series of relief sculptures is born from the devastated imagery of Gaza's war-torn landscape. The rubble, a somber emblem of destruction and lives lost, speaks to the tragedy of people buried beneath their bombed homes. Within these sculptures, delicate and intricate drawings of children's clothes emerge, serving as poignant reminders of innocence amidst chaos. They serve as a metaphor for the fragility of life, while also bearing witness to the resilience and fortitude of the human spirit.](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/05/27204519/1898457-Edit-1024x683.jpg)
from Sculptures
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from Innerspace
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from Innerspace
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from Innerspace
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from Innerspace
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from Innerspace
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from begged borrowed stolen
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from begged borrowed stolen
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from begged borrowed stolen
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from a way \ a lone, a last \ a loved, a long the_____
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from w\hole, \holy, full of \holes
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![The form of this project work is inspired by the fairy tale "The Princess on the Pea". What do you choose to do with those chinky imperfections that lie beneath the surface? The chaos of human nature is buried underneath the white softness, and we will live with it, and to some extent become it. Was vernünftig ist, das ist wirklich; und was wirklich ist, das ist vernünftig.](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/05/31212711/liyuan-zhu04-683x1024.jpg)
![Creature was inspired by grasshoppers and two-dimensional flat creatures. When painting, I prefer all my senses to be pure and unaffected by any history and culture and role. Influenced by automatism paintings, I started to create a series of 'Creature' paintings, trying to find a way to express the universe in my mind. This series of paintings favoured subconscious expression. At the same time I realised that painting from the subconscious mind is a very practical spiritual therapy in art healing, so I focused very much on the spiritual power I gained from this process, and I was inspired and informed by the compositions and atmospheres of Hilma af Clint's paintings. PROCESS](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/05/31212616/liyuan-zhu03-819x1024.jpg)
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![Whisper Me a Spell was inspired by the theme of spiritual rituals in my TSP research. During the research process, I investigated the yin and yang and five elements in traditional Chinese culture, and combined them with the arrangement of the eight trigrams of the Zhouyi Eight Trigrams Formation, with the intention of creating a small spiritual ritual in the exhibition. I tried to convert natural power into spiritual power by making the audience spontaneously sense the linked magnetic field of the human body and the earth through this formation.](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/05/31212403/liyuan-zhu02-819x1024.jpg)
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from Installation details
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from (In)visible heritage / residues of labour
![](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/06/24180625/61A0141-1024x683.jpg)
from Iterations
![](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/06/24170427/0A6A9536-683x1024.jpg)
from Installation details
![A photograph of a star-shaped geometric form balanced on the edge of a white threshold.](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/04/27235656/Catalogue-image-1024x731.png)
![A photograph of an anonymous white support structure – a shelf, a windowsill, a threshold – opening onto darkness. The only other object is a small pane of glass standing upright on the far right-hand side of the image.](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/04/27220900/anton-geryon01-1024x512.jpg)
from Still Life with Empty Air
![](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/04/27160755/Slack_Catalogue_Image-1024x731.jpg)
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from Fishing Out the Foul Frog (in my throat)
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from Fishing Out the Foul Frog (in my throat)
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from Fishing Out the Foul Frog (in my throat)
![](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/05/27162036/beck-slack-1-of-26-1024x684.jpg)
from Fishing Out the Foul Frog (in my throat)
![](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/05/27162328/beck-slack-16-of-26-1024x684.jpg)
from Fishing Out the Foul Frog (in my throat)
![A white chalk drawing of an intricate crochet pattern on paving stones](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/04/07172036/IMG_6632-883x1024.jpg)
![](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/05/15180444/IMG_1912-1024x883.jpeg)
from Underneath the Antimacassar
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from Who sets the ground rules?
![two men screen printing at a table, surrounded by other students](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/05/15172424/IMG_1567-1024x819.jpeg)
from Printmaking Workshops
![a white chalk drawing of an intricate crochet pattern that starts on top of a large boiler tank and continues onto the ground](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/05/15152525/IMG_0743-768x1024.jpg)
from Who sets the ground rules?
![A white chalk drawing of an intricate crochet pattern on paving stones](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/04/07172036/IMG_6632-883x1024.jpg)
from Who sets the ground rules?
![](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/04/27205719/jennifer-mcneil-04-873x1024.jpg)
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from Kitchen Midden Dog
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from Kitchen Midden Dog
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from Kitchen Midden Dog
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from Kitchen Midden Dog
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from Kitchen Midden Dog
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from The human head is really heavy
![](https://gsashowcase-2024.s3.eu-west-2.amazonaws.com/wp-content/uploads/2024/05/20183512/IMG_3192-768x1024.jpg)
from The human head is really heavy
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from The human head is really heavy
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from The human head is really heavy
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from The human head is really heavy