Evie Robinson

(she/her)

Steven Campbell Hunt Medal · The Glasgow School of Art

Evie Robinson (b.2004, London) is based in Glasgow, receiving her BA in Painting & Printmaking at the Glasgow School of Art in 2025. She has previously studied at Kingston School of Art in London, completing a Foundation Diploma in Art.

 

As an artist, my practice centres around my racial identity by merging themes of culture, migration, memory, and storytelling. I use painting and printmaking to explore representations of West African communities. My paintings combine surreal figures, patterned backdrops, materials and chaotic greenery, blurring the boundaries between cultural histories and memory. Here, playful, dreamlike worlds are formed that exist somewhere between past and present. My practice is an evolving process of sharing stories, of real and imagined West African histories.

Narratives fuel my work. Currently, I have been reading Yoruba folklore and creating oil pastel drawings inspired by these stories, combining and reworking elements from multiple drawings to develop references for my oil paintings. I mark the canvas through layered painterly techniques between areas of open space to evoke the instability of memory and reconstruction within my process of ‘Fictioning’, allowing the viewer to peer through the gaps within these constructed narratives. Executed in a distinctive, vibrant colour palette, with fluorescent-coloured grounds of pink, yellow and purple to bring depth to the surfaces of my marks, reanimating these historical narratives through a contemporary language. Through this, I revive these stories, transforming them into celebratory pieces that invite viewers today to engage with them in a new light

Ultimately, I aim to create immersive, otherworldly, anachronistic spaces that invite viewers to experience my narrative wholly, transporting them into the setting of a Nigerian Community. Although my work holds historical context, it does not seek answers; instead, it invites the viewer into an imagined space where they can interpret and learn what they believe they see.

Installation view of Degree show
Departure, 2025, oil on canvas, 90cm x 70cm  (left), The Gardens of Yoruba (right)

Evie Robinson, Departure, 2025, oil on canvas, 90cm x 70cm (left), The Gardens of Yoruba (right), Featured in The Scotsman Review.

For Sale: Price on Request

Installation view of The Palm-Wine Drinkard, 2026, oil on canvas, 145.7cm x 1700cm  (left), Olumo Rock on yellow wall (right)
The Ibeji (Twins), 2025, Framed stand of etching with aquatint on Heritage, 25.5cm x 20.5 cm, (right)  Patterns of Motherhood, 2025, Framed stand of lino with aquatint on Heritage, 14.5cm x 21cm, (left) 

For Sale: Price on Request

Olumo Rock

2026, Framed etching with aquatint on Fabriano, 31cm x 25cm 

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School of Fine Art / Painting & Printmaking / Evie Robinson / Real and Imagined Liberation

Real and Imagined Liberation

Imagined Liberation

2025, oil and lino print on canvas, 180cm x 120cm 

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Untitled

2025, Oil and oil pastel on MDF board, 40cm x 30cm

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Untitled

2025, Oil and oil pastel on MDF board, 45cm x 35cm

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Yoruba Folklore

Tales by Moonlight

2025, oil and lino print, Adire fabric on canvas, 147cm x 107cm 

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The Ibeji (Twins)

2025, etching with aquatint on Heritage, 25.5cm x 20.5 cm 

For Sale: Price on Request

The Palm-wine Drinkard

2026, oil on canvas, 145.7cm x 170cm 

For Sale: Price on Request

Patterns of Motherhood

2025, lino with aquatint on Heritage, 14.5cm x 21cm 

For Sale: Price on Request

Sounds of My Nigeria

My soundscape features recordings of the everyday sounds around me; the lives of people in their natural spaces, conversations with my family and the hustle and bustle around the cities of Lagos and Abeokuta that I directly used within the first part of my sound piece. The second part of the soundscape features my mother delivering a personalised Oríkì to me. In Yoruba culture, an Oríkì is a praise name/poem given to a child according to the circumstances of their birth and speaks life to their destiny. Using this alongside my work, reinforces the deep personal cultural connection that ties me to my paintings and mirrors how my paintings are birthed through a journey of my own ‘Fictioning’. My mother’s narration created an intimate atmosphere that encouraged viewers to remain within the space and engage more deeply with the work.

IMG_9295

Film still taken in Abeokuta, Nigeria

Sounds of my Nigeria

Soundscape