School of Design / Fashion Design / Xiaoke Wang (Chloe)

Xiaoke Wang (Chloe)

I am a Fashion Design graduate from the Glasgow School of Art, where four years of study have shaped me into a designer who works instinctively from personal experience. For me, design begins with observation — of daily life, of quiet moments, of the things people overlook precisely because they are so familiar.
My practice is concept-driven. I believe clothing can be a medium for reflection, capable of prompting viewers to notice aspects of their own lives that often go unexamined. I am drawn to questions about human emotion, psychological states, and the cycles we move through without always recognising them. My graduate collection, Realm of Equilibrium, is one expression of this — but the underlying curiosity runs through everything I make.
Technically, my focus lies in silhouette and structural development. I approach garment construction as a form of language: the way volume sits on a body, the tension between softness and restraint, the dialogue between inside and outside — these are the decisions I find most meaningful. I work through making, using toile development and material exploration as tools for thinking rather than simply testing.
I am also drawn to cross-disciplinary research. My references move between philosophy, installation art, literature, and film, and I find that the richest design ideas often emerge at the intersection of these fields.
I hope to continue developing work that is both intellectually grounded and emotionally present — design that asks something of the people who encounter it.

 

School of Design / Fashion Design / Xiaoke Wang (Chloe) / The Realm of Equilibrium

The Realm of Equilibrium

This project stems from contemplation on the cycles of fate and observations of how people respond to the unknown in reality. Taking the duvet as a creative starting point, it aims to provide the wearer with a sense of security. When people faced with difficulties or entering unfamiliar environments, the threats posed by the unknown often plunge us into chaos and confusion. From taking the first step, to doing their best to overcome challenges, to finding solutions, and finally carrying forward all their experiences to face new trials — throughout this process, a sense of security provides continuous motivation.

Drawing from personal experience, Xiaoke has chosen the duvet as a medium, as it embodies a tangible form of security. In this project, she employs volume and quilting techniques as the primary design methods to express the four stages of the aforementioned cycle. Through her designs, she hopes that wearers can draw a sense of security from the soft fabrics, warmth, and the sensation of being enveloped, thereby counteracting the fear of the unknown and prompting reflection on their own destiny.

Draping with duvet
Design Process
Quilting Experiments
Design Process
Design Process
Design Process
Design Process
Design Process
Collection Lineup
Final Garments

Photographed at Hungarian Museum by Xiaoke Wang

Look 1

Photographed at Hungarian Museum by Xiaoke Wang

Look 2

Photographed at Hungarian Museum by Xiaoke Wang

Look 3

Photographed at Hungarian Museum by Xiaoke Wang