My practice explores care, communication, and resistance through textiles and typography. Rooted in a lineage of skilled laborers, caregivers, and quiet advocates, I approach design as both a craft and a political act. I work with tactile materials like tufting, crochet, and fabric to reframe protest as soft, slow, and intimate.

Much of my work queers traditional notions of typography and design. I challenge ideas of legibility, perfection, and commercialization, choosing instead to highlight imperfection, labor, and the handmade. My pieces often center on phrases that hold personal and political weight rendered through processes that invite touch and contemplation.

I am particularly interested in how radical care can live in material form, and my work finds a comfortable space within ambiguity, softness, and presence in activist visual culture.