Prize Winner

Hopkins Prize

MSA Stage 5 School of Architecture

Beth Lomas

(She/Her)

–  Hopkins Prize Winner 2025

–  Shortlisted for Charles Rennie Mackintosh Travelling Scholarship

Hello! I’m a graduating fifth-year architecture student at the Mackintosh School of Architecture, with a keen interest in how architecture can respond to complex existing sites across different scales. This year, I’ve been exploring a multi-scalar approach – considering everything from urban context to crafted interior detail.

Looking ahead, I’m excited to continue developing a design practice that values working with existing buildings, places, and materials. I’m particularly interested in projects that bring together heritage, atmosphere, and sustainability- finding contemporary relevance through sensitive, craft-led interventions.

Previously, I worked for over a year as a Part 1 Architectural Assistant at Atelier Gooch in London, contributing to projects centered on heritage and conservation. That experience continues to shape my approach – I’m drawn to working with existing fabric and value sensitive, thoughtful interventions that connect old and new.

Contact
Beth.Lomas@btinternet.com
B.Lomas1@student.gsa.ac.uk
instagram.com
Works
”Mending Porto In Pattern”

”Mending Porto In Pattern”

Hopkins Prize for Best Contextual Urban Project

Av. Dom Afonso Henriques, Porto

The area in central Porto between the Sé Cathedral and São Bento Railway Station has long been the subject of criticism following extensive demolition works in the 1930s that erased a significant portion of the city’s historic fabric. These interventions, carried out to make way for new road infrastructure, were implemented with little consideration for the surrounding urban context or future development. Today, the site remains fragmented and unresolved – a neglected pocket of the city marked by social issues, deteriorating buildings, and a reputation for crime and poverty.

‘‘If the city was torn apart by force, should it not be mended with care?’’

As a deliberate counteraction to the mechanical violence of the demolition works, I have developed a repair pattern inspired by darning – a gesture deeply rooted in craftsmanship and symbolic of a restorative, materially sensitive approach to urban renewal.