Bonae
(Bonae)
My practice originates from a 20-year career in digital media, where I became aware of how screen-based light shapes perception, memory, and emotion.
Using transparent vinyl, I explore what happens when the logic of the screen meets material resistance. Through transparency, reflection, and scattering, the work creates a sense of depth and spatial atmosphere.
Rather than functioning as images, the works operate as perceptual conditions shaped by light, space, and material presence.
Blue Hour : Interference I
Blue Hour is the moment when my attention first turned inward after years of analyzing the outside.
Bonae Yi, Blue Hour : Interference I, 2026, Acrylic on transparent vinyl, 160 x 120cm
Installation view of Blue Hour : Interference I
Blue Hour : Residue II
Residue explores the tension between transparent vinyl and compressed layers of paint.
Blue Hour : Residue II, 2026, Acrylic on Vinyl, 160x120cm
Blue Hour : Residue II, 2026, Acrylic on Vinyl, 160x120cm
Blue Hour : Reflective Depth I
Through transparency, reflection, and scattering, the work creates spatial depth.
Blue Hour : Reflective Depth I, 2026, Acrylic on transparent vinyl, 120 x 90m
Blue Hour : Reflective Depth I, 2026, Acrilic on Vinly, 120x90cm
After Luminosity III
By removing colour and exposing underlying layers, I allow light and surrounding space to become part of the work. Through transparency, reflection, and scattering, the work creates a sense of depth and spatial atmosphere.
After Luminosity III, 2026, Acrylic on Vinyl, 400x180cm