I am connected to the world around me, and so is my art practice. The lived experiences of my friends, the community I’m part of, and my own experiences drive my creative work. Through this work, I reflect on the spaces we inhabit and consider how we shape the world around us and how it, in turn, shapes us. The diverse, intersectional lives we lead, alongside my personal experiences of facing sexism, homophobia, and ableism, inform the way I approach my projects.

I’m inspired by community-driven projects, collective access, and the tension between working in isolation and creating with and for others. My aim is to build spaces that invite participation, sharing, and reflection, offering people a chance to connect.
I create installations using everyday objects, which I transform or rebuild, playing with the associations we have with them. These constructions combine a variety of materials and techniques, including woodwork, casting, metalwork, motors, audio, and text to alter and reimagine objects.
I believe that the dynamics of how I work directly influence the outcomes of my practice. This means I deliberately choose the processes and environments I engage with to align with the community and context each project is made for. I exhibit my work intentionally in spaces that are either connected to or deliberately disconnected from themes and methods within the work, such as public spaces, libraries, community centres, or traditional exhibition venues.

My practice responds to what I see in the world, using art to reflect, react, and foster connection and dialogue. I’m eager to participate in projects involving environmental art, social justice, community collaboration, and engagement, and I’m always seeking new opportunities to connect with different spaces and people to create meaningful, accessible projects that reflect our shared interests and identities.