Jack Myles

(he/him)

‘I want to regain control/understanding of the self, The self (I believe based on Hume and Ego Theory) is defined by the stimulus it has received. We now live in an hauntological late-stage capitalist age of [mis]information- of massinformation-, Brain rotted and overloaded with stimulus. I seek to look back to the past and regain control/question the stimulus that’s been put upon me by sources such as authoritarian western education, by television/pop culture and by the internet/social media. Through this I hope to gain a better understanding of the self. ​
Through collage, staging/restaging, diorama and memes I hope to find a better understanding of a self that is unadulterated by outside messaging. By utilising the world building methods of science fiction and fantasy, my art involves a humorous reinterpretation of the world around me, to find or fabricate hidden narratives and messages. ​
This has recently involved a deconstruction of personal family encyclopaedias. An examination stemming from both an aesthetic appreciation; and a hope to question what as a child I perhaps could not. I was fascinated with these objects and their surreal presentation of the world, The choice to elect and stage a handful images to represent such broad categories as Africa, Fascism, Radiology or Jazz. The proximity of these disconnected and clearly selected categories inspired me to reinterpret the world as I had been led to believe it. ​
I have also been interested an analysis of our relationship to the screen and the echoes of past forms of stimulus found in them, the historic and the present. By crossing over past points of information from encyclopaedia and from television with that of memes and reels/doom scrolls.’

School of Fine Art / Painting & Printmaking / Jack Myles / ‘Folklore and Fairytales’

‘Folklore and Fairytales’

A show run by Lisa Groenendijk exploring the themes of worldbuilding of folkloric myth and fairytales.

Featured work:

‘Seelie Standing Stones’ Collage Diorama

Mar 2026, The Glasgow School of Art Stow Drawing Room

‘House Surgery’

A show that featured the work of artists working in response to an image on a procedurally generated page of procedurally generated book.

A page titled ‘House Surgery’ Featuring the architectural frame (a black iron prison) of the domestic setting.

Featured Work:

‘The Reel World’ mixed media

Oct 2026, The Glasgow School of Art Stow Drawing Room

'The Reel World'
Phone (video hosted on instagram)
top drawer
top drawer
lower drawer

‘Chain Reaction’

An ongoing portraiture project of painting and printmaking students making portraits of each other

Featured work:

‘Kirsty Prentice Spirit Animal’ Mounted Collage

2025-2026

'Kirsty Prentice Spirit Animal'

‘Twofold 1’

Featured work:

‘Shrines, Signs & Symbols’ mixed media

‘Reliquary’ mixed media

Mar 2025, Strangefield Gallery

'Shrine, Signs & Symbols'
'Shrines...'
'Shrines...' inside
'Shrines...' inside
'Shrines...' Encyclopaedia pyramids
'Shrines...' Encyclopaedia double spread
'Reliquary' shut
'Reliquary' close up
'Reliquary' lens
'Reliquary' lens
'Reliquary' lens
'Reliquary' lens
'Reliquary' lens
'Reliquary' lens
'Reliquary' lens
'Reliquary' open
'Reliquary' inside
'Reliquary' panels
'Reliquary'

‘When Winds Shift’

A show exploring world building and animals from myth and folklore.

Featured Work:

Untitled ‘chimera’s, collage diorama

‘Horses vs Dogs’, collage diorama

‘Collaborative drawing’ collaborative mixed media

Feb 2025, New Glasgow Society

Chimera with giving hand
'Chimera1'
'Chimera2'
unicorn chimera
'chimera3'
chimera spewing bats
'Horses vs Dogs' excerpt
'Horses vs Dogs' excerpt
'Collaborative Drawing' excerpt
'Collaborative Drawing' excerpt