Communication Design School of Design
Lauren Mulvey
Beyond Drag
This series of portraits is a sister project to my documentary DRAG: Behind-The-Scenes. My primary aim was to create a series of intimate and highly detailed portraits of drag performers from all over the UK. Using a studio and large format camera, I strived to reveal something of the person behind the performance. But it was still important to acknowledge that drag was very much a part of each person, so having full make-up and costume was an integral part of the process and the subsequent portraits. Making these images, sharing intimate moments and conversations with such a remarkable group of diverse individuals has been life affirming and a genuine privilege.
Drag: Behind-The-Scenes
This documentary project is based on a locally-run drag event in Renfrewshire called PAI-SLAY. Over a 4 month period I attended multiple shows and during this time I set out to photograph the participating drag performers getting ready and preparing for the show; an intimate view behind-the-scenes. Through my images, I wanted to document the lengthy and involved process of preparation of hair and make-up, the fun and laughter as well as the final tense moments before appearing on stage.
Each show opens its doors to a number of drag acts from across the country, not just the central belt of Scotland, but from all over Britain. The two main acts who compere every event, October Fist & Klitsune, are a lovely transgender married couple, who along with Moth, the event organiser have created a genuinely inclusive environment for both performers and the audience. During all of my visits, I was always made to feel very welcome. I met so many lovely people whilst making my photographs and I hope that this series gives a sense of some of what I experienced at this wonderful event.
The Winey
This photo documentary project is based on an area of Govan in Glasgow, officially known as Moorpark but referred to colloquially as The Winealley or The Winey, which is probably a self-deprecating name derived from the perceived notion that alcohol abuse was particularly prevalent in the area. From my birth in 1993 to 2003 this is where I lived, and despite its so-called negative reputation, I felt there was a genuine sense of community, where laughter filled the streets and neighbours offered a helping hand when needed.
From around 2004 much of the area was demolished, including my family home, my primary school, and the chapel where I was christened. The area was supposedly earmarked for redevelopment, but some 20 years later there has been minimal regeneration, and the area largely remains barren.
Today there are very few physical forms that relate to my childhood, much has been erased, only a few remnants remain. The area is empty, a wasteland where cars are dumped and fly tipping is common. Kids might play amongst the rubbish and remaining ruins, but the place is largely silent and forgotten. Gone is the laughter, the neighbours and community. It’s as if it never existed.
Lauren Mulvey.
