Communication Design School of Design
Nina Harrower


Within Walls
Within Walls is a sonic and artistic exploration into the rooms that encapsulate my daily life. The project aims to reframe my relationship with these environments by adopting a metaphorical “third eye” perspective—imagining what it might mean to inhabit the walls themselves. I created a 5 track EP and hand-bound book to reflect these themes. Each track is composed of field recordings distorted through a range of auditory processing techniques such as utilising samplers, loop pedals, synths, exciter speakers etc to create a sonic landscape that sounds as if it can be heard through the wall, reflecting both the atmosphere of each room and my emotional engagement with them. Accompanying the EP are liminal drawings of wall cavities and fixtures, visually highlighting the project’s engagement with interior space and subjective perception.
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Music is Math
Music is Math was created alongside my extended essay. It explores the concepts of hauntology through the evolution of electronic music. Both my essay and video piece studies the development of avant-garde audio processing techniques and how Boards of Canada can be described as the forefathers of Hauntology as its own musical genre and how this was achieved through their stylistic and thematic choices. Within this piece I aimed to visualise this development in audio through a range of video processing techniques such as data-bending, sampling, collage, degraded technology etc. Following chronologically from Field recordings to Musique Concrete, Crate Digging culture, House Music, Music Collage and how these movements inspired the music of Boards of Canada.
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Raw
Raw is primarily based upon the collaborative works created by partners – composer John Cage and choreographer Merce Cunningham and their experiments based in chance and unpredictability. My aim within this project was to see how audio and dance communicate with one another. The audio was created using found footage of either Cunningham or Cage and then distorted through data-bending creating fragmented and distorted sound that was then collaged together. The choreography was improvised using the ancient Chinese divination text, the I-Ching, as a source of inspiration for each routine, a technique often utilised by Cage.
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For the Lone Survivor
I selected to work on the optional brief of the arcane in the mundane after a trip to corrour – home to the most remote train station in scotland as well as home to the oldest bothy in britain. After researching the history of corrour I stumbled upon a story in the book ‘the black cloud’ of a group of hikers that died of exposure leaving only one survivor. I was further inspired by brian eno and his ambient works, I wanted to focus on the auditory elements of the scottish landscape and create a sound installation alongside the path the hikers took in 1951. I aimed to create a small sculpture inspired by the tradition of cairns and hokora shrines to elevate the sound piece. The aim of this short project was to provide company and reassurance in times of fear for other hikers in harsh elements, and to ward off lone travellers taking unnecessary risks.