The collection of ‘Apotropaia‘ explores the connection of past ritualistic and pagan belief systems and contemporary metalworking methods and materials, the pieces explore and evolution through time, being reconstructed within a conceptual anthropogenic environment.

‘Aportopaia‘ can be understood as forming magical protections, whether it is through physical manifestations of grafted icons, amulets, and charms, or ritual practises enforced by foraging natural flora which encapsulates the essence of protection and safety.

The term ‘Apotropaia‘ has derivative roots within the greek word of ‘apotrepein‘, this word means to ‘turn away’. Each piece within the collection is meant to be seen as a possible protective charm/ amulet which would ward the wearer of negative influence by “turning it away”.

The collection serves the purpose of ‘artefacts’ that would be worn to create a sense of security and protection for the owner. Emphasised by the use of protective motifs, such as thorns, strong metals, visual heft, the pieces could be deemed as imposing and impractical to interact with.

In contrast to these protective characteristics the pieces involve lightweight found objects, brightly coloured threads, and lacquer, which provide a stark difference to the dark and rough visual language found within the processed metal. These found objects have been ‘foraged’ and bound with the metal frames to create unique amulet forms.

The visual weight of the pieces is offset by their true weight, the prominent shape present in the pieces, an imitation of bark ‘exfoliations’ provide a heavy feel within the pieces whilst ensuring easy wearability.