Painting & Printmaking
Stow Building, 63 students
Painting and Printmaking is the largest specialist programme within the School of Fine Art. The programme of study is practical and theoretical, focusing on enquiry and production in a lively studio environment.
Painting and Printmaking at the GSA reflects the complex and changing conditions, ethics and currencies of art-making, responding to new ideas. An awareness of histories and applications of painting alongside contemporary debate are all fundamental to our programme of study, which acknowledges and critiques painting’s legacies, and prioritises experiment and innovation. Painting is understood as a vehicle of thought and expression, a capture technology and an intellectual discipline. Printmaking is rooted in an exploration of visual representation and dissemination aligned to the materials, processes and formats of established and developing technologies.
The programme encompasses a range of approaches to our disciplines and suggests an expanded field – between what is hand-driven and machinic – from their interactions.
from What We Leave Behind
from What We Leave Behind
from What We Leave Behind
from What We Leave Behind
from What We Leave Behind
from Line Up (2025)
from Ready and Waiting (2025)
from Held in Line (2025)
from Glasgow Held and Heard
from Family Archives
from Glasgow Held and Heard
from Glasgow Held and Heard
from Artificial Families
from Eggs and onions
from Voodoo bird
from Sauchiehall street
from Empire builder
from Junction US2
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from Other Works
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from Untitled #5
from Fever Pitch
from dont wake the dog
from Fire Scenes
from Fire Scenes book
from Fire Scenes
from Fire Scenes
from Earlier works
from Sandcastles (2025)
from Sandcastles (2025)
from Illustrations.
from Sandcastles (2025)
from Sandcastles (2025)
from 2022-25
from 2022-25
from Possible Body 1
from Possible Body 1
from Selected Paintings
from Subsymbolic
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from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.
from Home is a Place in my Mind
from Home is a Place in my Mind
from Home is a Place in my Mind
from Home is a Place in my Mind
from PORTRAITS
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from ABSTRACT
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from Remix
from Anticipation
from Starburst
from Like Stranger, Like Friend
from ‘The Sun is low’
from ‘Skarbnytsya Posters Archive’
from Degree Show
from Collagraphs
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from Printmaking Works
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from I Intend to Count Lambs
from I Intend to Count Lambs
from I Intend to Count Lambs
from AUGURIES OF EXIT
from AUGURIES OF EXIT
from Degree Show
from Other Work
from AUGURIES OF EXIT
from Degree Show
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from Tank Details
from The Tank
from Look Again
from Degree Show Install Shots
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from Letters from Glasgow
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from Work
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from The Weather Inside a Greenhouse
from Televised Cardboard
from Weather Forecast
from Televised Cardboard
from Televised Cardboard
from Whose reaching limbs recall my own?
from Supporting Work – Enquiries from the studio
from Whose reaching limbs recall my own?
from Supporting Work – Enquiries from the studio
from Fieldwork – The process
from Campbeltown-Performance
from Suck My Clit
from Degree Show
from Degree Show
from Greenlaw-Performance
from On Days Like These
from March of The Swivel Heads
from The Whole of The Moon
from On Days Like These
from My God, Are We Gonna Be Like Our Parents?
from Work
from Work
from Work
from Weather Reports
from Work
from Installation
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from “Common People”
from “Common People”
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from The Unravelling Body
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from Twelve Unlucky Feet, March, 2025. Oil on canvas, 100 x 180cm.
from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.
from Ravenous, April 2025. Oil on canvas, 150 x 200cm.
from Room to Swing a Cat, April 2025. Oil on canvas, 150 x 200cm.
from Room to Swing a Cat, April 2025. Oil on canvas, 150 x 200cm.
from ‘Sea States’ book
from And my eyes became the colour of the sea (A Window for Stow)
from And my eyes became the colour of the sea (A Window for Stow)
from Wave Compositions (I – V)
from Wave Compositions (I – V)
from Disembark in Stromboli
from The Frame Within
from Disembark in Stromboli II
from Untitled
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from Paintings
from Into The Lighthouse
from Degree Show Installation
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from ‘Networking’
from ‘Specimens’
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from All We Need Is A Window To Some Sky
from All We Need Is A Window To Some Sky
from All We Need Is A Window To Some Sky
from Other Works
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from The Return of The Background
from Overview
from Land-line
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from Overview
from Degree show
from The City
from Degree show
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from Degree show
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from ‘A cross without nails (I), (II), (III)’
from Degree Show
from ‘Before and after (2025)’
from ‘Hidden in plain sight’
from ‘A cross without nails (I), (II), (III)’
from Matters of Consequence
from Matters of Consequence
from Health and Safety Poster
from Matters of Consequence
from Health and Safety Poster
from Stagger Hame
from Stagger Hame
from Stagger Hame
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from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from Degree Show Works
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from Degree Show Works
from Degree Show Works
from The Figments, 2025
from Treatment of the walls
from Gathering, 2025
from The Figments, 2025
from Too Much of a Good Thing, 2025
from Degree Show
from Degree Show
from Shadows
from Degree Show
from Degree Show
from ‘The Herring Queen’- Degree Show
from ‘The Herring Queen’- Degree Show
from ‘The Herring Queen’- Degree Show
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from ‘The Herring Queen’- Degree Show
from Degree Show
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from Pilniewinks
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from Untitled 202410
from Degree show: Untitled 202505
from Shanshui System 01
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from Ethan Logan – Paintings
from Ethan Logan – Paintings
from Ethan Logan – Paintings
from Ethan Logan – Paintings
from What Lurks (After Lockheed Martin)
from Gestus
from Gestus
from Leaning on the Everlasting Arms
from Gestus