Painting & Printmaking
Stow Building, 63 students
Painting and Printmaking is the largest specialist programme within the School of Fine Art. The programme of study is practical and theoretical, focusing on enquiry and production in a lively studio environment.
Painting and Printmaking at the GSA reflects the complex and changing conditions, ethics and currencies of art-making, responding to new ideas. An awareness of histories and applications of painting alongside contemporary debate are all fundamental to our programme of study, which acknowledges and critiques painting’s legacies, and prioritises experiment and innovation. Painting is understood as a vehicle of thought and expression, a capture technology and an intellectual discipline. Printmaking is rooted in an exploration of visual representation and dissemination aligned to the materials, processes and formats of established and developing technologies.
The programme encompasses a range of approaches to our disciplines and suggests an expanded field – between what is hand-driven and machinic – from their interactions.


from Degree Show Shots

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from Degree Show Shots

from Work

from Work


from I Intend to Count Lambs

from I Intend to Count Lambs

from I Intend to Count Lambs


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from Subsymbolic


from The Return of The Background

from Overview

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from Overview

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from Degree Show Installation

from Degree Show Installation

from Degree Show Installation

from Into The Lighthouse


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from AUGURIES OF EXIT

from AUGURIES OF EXIT

from Other Work

from Degree Show

from Degree Show


from Fieldwork – The process

from Whose reaching limbs recall my own?

from Whose reaching limbs recall my own?

from Whose reaching limbs recall my own?

from Fieldwork – The process


from Haunted by Prehistoric Dinosaurs

from Untitled

from The Weather Inside a Greenhouse

from Televised Cardboard

from The Weather Inside a Greenhouse


from Anticipation

from Rhapsody

from Like Stranger, Like Friend

from Starburst

from Remix









from Disembark in Stromboli

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from The Frame Within

from Disembark in Stromboli II




from Health and Safety Poster

from Health and Safety Poster

from Matters of Consequence

from Matters of Consequence

from Matters of Consequence


from Home is a Place in my Mind

from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.

from Home is a Place in my Mind

from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.

from Home is a Place in my Mind


from Ethan Logan – Paintings

from Ethan Logan – Paintings

from Ethan Logan – Paintings

from Ethan Logan – Paintings


from Family Archives

from Degree Show 2025

from Family Archives

from Family Archives

from Degree Show 2025


from Selected Paintings

from Possible Body 1

from Selected Paintings

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from 2022-25


from Too Much of a Good Thing, 2025

from The Figments, 2025

from Too Much of a Good Thing, 2025

from Treatment of the walls

from Gathering, 2025


from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical


from Letters from Glasgow

from Letters from Glasgow

from Look Again


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from Degree Show

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from Degree Show

from ‘A cross without nails (I), (II), (III)’

from ‘Before and after (2025)’

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from ‘A cross without nails (I), (II), (III)’


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from Degree Show

from Degree Show

from Degree Show

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from What We Leave Behind

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from What We Leave Behind

from What We Leave Behind


from Degree show

from The City

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from Degree show

from Degree show


from Degree Show

from Degree Show

from Degree Show

from The Runaway Squash

from Degree Show


from “Common People”

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from Installation

from “Common People”


from Leaning on the Everlasting Arms

from Gestus

from Gestus

from Gestus

from Leaning on the Everlasting Arms


from Eggs and onions

from Empire builder

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from Junction US2

from Sauchiehall street


from ‘Skarbnytsya Posters Archive’

from ‘The Sun is low’


from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة


from Cut Outs

from Paintings

from Cut Outs

from Degree Show

from Degree Show


from Line Up (2025)

from Ready and Waiting (2025)

from Held in Line (2025)


from Degree Show

from Seducing The Bear

from Seducing The Bear

from Campbeltown-Performance

from Degree Show


from Fire Scenes

from Fire Scenes

from Fire Scenes book

from Fire Scenes



from Degree show: Untitled 202505

from Degree show: Untitled 202505

from Shanshui System 202412

from Untitled 202410


from And my eyes became the colour of the sea (A Window for Stow)

from Sea States (I – IV)

from Wave Compositions (I – V)

from ‘Sea States’ book


from The Unravelling Body

from The Unravelling Body

from The Unravelling Body

from The Unravelling Body

from The Unravelling Body


from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no


from Degree Show Work

from Printmaking Works

from Degree Show Work

from Printmaking Works

from Printmaking Works



from Ravenous, April 2025. Oil on canvas, 150 x 200cm.

from Twelve Unlucky Feet, March, 2025. Oil on canvas, 100 x 180cm.

from Room to Swing a Cat, April 2025. Oil on canvas, 150 x 200cm.

from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.

from Twelve Unlucky Feet, March, 2025. Oil on canvas, 100 x 180cm.


from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show


from ABSTRACT

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from All We Need Is A Window To Some Sky

from Other Works

from All We Need Is A Window To Some Sky

from Other Works

from All We Need Is A Window To Some Sky



from Work

from Work

from Work

from Degree Show

from Weather Reports


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from Sandcastles (2025)

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from Sandcastles (2025)

from “Im every woman (Chaka Kahn)”


from Degree Show Works

from Degree Show Works

from Degree Show Works

from Degree Show Works

from Degree Show Works


from Tin Church

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from Tin Church


from Have I Told You Lately

from On Days Like These

from March of The Swivel Heads

from Have I Told You Lately

from March of The Swivel Heads


from Orla Bradie

from Orla Bradie

from Orla Bradie

from Orla Bradie

from Orla Bradie