Painting & Printmaking
Stow Building, 63 students
Painting and Printmaking is the largest specialist programme within the School of Fine Art. The programme of study is practical and theoretical, focusing on enquiry and production in a lively studio environment.
Painting and Printmaking at the GSA reflects the complex and changing conditions, ethics and currencies of art-making, responding to new ideas. An awareness of histories and applications of painting alongside contemporary debate are all fundamental to our programme of study, which acknowledges and critiques painting’s legacies, and prioritises experiment and innovation. Painting is understood as a vehicle of thought and expression, a capture technology and an intellectual discipline. Printmaking is rooted in an exploration of visual representation and dissemination aligned to the materials, processes and formats of established and developing technologies.
The programme encompasses a range of approaches to our disciplines and suggests an expanded field – between what is hand-driven and machinic – from their interactions.


from Televised Cardboard

from Untitled

from The Weather Inside a Greenhouse

from Haunted by Prehistoric Dinosaurs

from Televised Cardboard


from ‘Skarbnytsya Posters Archive’

from ‘The Sun is low’


from Selected Paintings

from 2022-25

from Selected Paintings

from Possible Body 1

from 2022-25


from Letters from Glasgow

from Degree Show Install Shots

from Letters from Glasgow

from Letters from Glasgow

from Look Again


from Gathering, 2025

from Hospitable?, 2025

from The Figments, 2025

from Gathering, 2025

from Too Much of a Good Thing, 2025



from Stagger Hame

from Stagger Hame

from Stagger Hame

from Stagger Hame

from Stagger Hame


from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no


from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show


from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical


from Sandcastles (2025)

from Sandcastles (2025)

from Illustrations.

from Sandcastles (2025)

from Illustrations.


from Degree Show Works

from Degree Show Works

from Degree Show Works

from Degree Show Works

from Individual works


from Degree show

from Degree show

from Degree show

from Degree show

from Degree show



from Overview

from Overview

from The Return of The Background

from The Return of The Background

from The Return of The Background


from Degree Show Work

from Degree Show Work

from Degree Show Work

from Printmaking Works

from Printmaking Works


from Shanshui System 01

from Degree show: Untitled 202505

from Shanshui System 202503

from Untitled 202410

from Untitled 202410


from Ethan Logan – Paintings

from Ethan Logan – Paintings

from Ethan Logan – Paintings

from Ethan Logan – Paintings


from Other Works

from All We Need Is A Window To Some Sky

from All We Need Is A Window To Some Sky

from All We Need Is A Window To Some Sky

from All We Need Is A Window To Some Sky


from Untitled

from Untitled

from Disembark in Stromboli II

from The Frame Within

from Disembark in Stromboli


from The Unravelling Body

from The Unravelling Body

from The Unravelling Body

from The Unravelling Body

from The Unravelling Body



from ‘Specimens’

from ‘Specimens’

from ‘Networking’

from ‘Specimens’

from ‘Specimens’


from Degree Show

from Degree Show

from Powódź/Flood

from Powódź/Flood

from Powódź/Flood


from Work

from Work

from Work

from Work

from Work



from Scales

from Untitled

from Scales

from Spokes I-IV

from Untitled


from Paintings

from Into The Lighthouse

from Paintings

from Into The Lighthouse

from Degree Show Installation


from ‘A cross without nails (I), (II), (III)’

from ‘A cross without nails (I), (II), (III)’

from ‘A cross without nails (I), (II), (III)’

from Degree Show

from ‘Before and after (2025)’


from AUGURIES OF EXIT

from AUGURIES OF EXIT

from AUGURIES OF EXIT

from Degree Show

from AUGURIES OF EXIT


from March of The Swivel Heads

from March of The Swivel Heads

from On Days Like These

from March of The Swivel Heads

from On Days Like These


from Like Stranger, Like Friend

from Rhapsody

from Anticipation

from Remix

from Remix


from Tin Church

from Tin Church

from Tin Church

from Tin Church


from I Intend to Count Lambs

from I Intend to Count Lambs

from I Intend to Count Lambs


from “Common People”

from Installation

from “Common People”

from Installation

from “Common People”


from Degree Show

from Degree Show

from Degree Show

from Shadows

from Degree Show


from What We Leave Behind

from What We Leave Behind

from What We Leave Behind

from What We Leave Behind

from What We Leave Behind


from Earlier works

from Fire Scenes

from Fire Scenes

from Fire Scenes

from Fire Scenes


from Subsymbolic

from Subsymbolic

from Subsymbolic

from Subsymbolic

from Subsymbolic


from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة








from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.

from Twelve Unlucky Feet, March, 2025. Oil on canvas, 100 x 180cm.

from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.

from Twelve Unlucky Feet, March, 2025. Oil on canvas, 100 x 180cm.

from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.


from Painting details

from Painting details

from Painting details

from Painting details

from The Snails



from Orla Bradie

from Orla Bradie

from Orla Bradie

from Orla Bradie

from Orla Bradie


from Untitled

from Untitled

from Untitled

from Untitled

from Untitled


from Sea States (I – IV)

from ‘Sea States’ book

from And my eyes became the colour of the sea (A Window for Stow)

from Sea States (I – IV)


from Matters of Consequence

from Matters of Consequence

from Health and Safety Poster

from Matters of Consequence

from Health and Safety Poster



from Leaning on the Everlasting Arms

from What Lurks (After Lockheed Martin)

from Gestus

from Gestus

from Leaning on the Everlasting Arms


from Untitled #5

from untitled 12

from untitled #2

from Brothers

from untitled #1


from Home is a Place in my Mind

from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.

from Home is a Place in my Mind

from Home is a Place in my Mind

from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.


from Weather Reports

from Work

from Degree Show

from Weather Reports

from Work



from Seducing The Bear

from Campbeltown-Performance

from Degree Show

from Degree Show

from Greenlaw-Performance


from Held in Line (2025)

from Ready and Waiting (2025)

from Line Up (2025)


from Table Manners

from Table Manners

from Table Manners

from Table Manners

from Table Manners


from Degree Show 2025

from Family Archives

from Glasgow Held and Heard

from Degree Show 2025

from Family Archives


from Voodoo bird

from Eggs and onions

from Junction US2

from Sauchiehall street

from Empire builder


from Whose reaching limbs recall my own?

from Fieldwork – The process

from Whose reaching limbs recall my own?

from Supporting Work – Enquiries from the studio

from Whose reaching limbs recall my own?


from SCULPTURE

from SCULPTURE

from COLLAGE

from PORTRAITS

from COLLAGE


from Degree Show

from Degree Show

from Collagraphs

from Degree Show

from Collagraphs


from Degree Show

from Cut Outs

from Cut Outs


from Degree Show