Painting & Printmaking
Stow Building, 63 students
Painting and Printmaking is the largest specialist programme within the School of Fine Art. The programme of study is practical and theoretical, focusing on enquiry and production in a lively studio environment.
Painting and Printmaking at the GSA reflects the complex and changing conditions, ethics and currencies of art-making, responding to new ideas. An awareness of histories and applications of painting alongside contemporary debate are all fundamental to our programme of study, which acknowledges and critiques painting’s legacies, and prioritises experiment and innovation. Painting is understood as a vehicle of thought and expression, a capture technology and an intellectual discipline. Printmaking is rooted in an exploration of visual representation and dissemination aligned to the materials, processes and formats of established and developing technologies.
The programme encompasses a range of approaches to our disciplines and suggests an expanded field – between what is hand-driven and machinic – from their interactions.
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from Ravenous, April 2025. Oil on canvas, 150 x 200cm.
from Room to Swing a Cat, April 2025. Oil on canvas, 150 x 200cm.
from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.
from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.
from Ravenous, April 2025. Oil on canvas, 150 x 200cm.
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from ‘A cross without nails (I), (II), (III)’
from ‘Before and after (2025)’
from ‘A cross without nails (I), (II), (III)’
from ‘Hidden in plain sight’
from All We Need Is A Window To Some Sky
from Other Works
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from Held in Line (2025)
from Line Up (2025)
from Ready and Waiting (2025)
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from Overview
from The Return of The Background
from Land-line
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from Too Much of a Good Thing, 2025
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from Treatment of the walls
from Hospitable?, 2025
from Gathering, 2025
from ‘Specimens’
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from On Days Like These
from March of The Swivel Heads
from Have I Told You Lately
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from My God, Are We Gonna Be Like Our Parents?
from Disembark in Stromboli
from Disembark in Stromboli II
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from Fieldwork – the process.
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