View developed from a drawing in one of my sketchbooks. The elongated horizontal format comes directly from the proportions of the sketchbook page and shapes how the figures and animal forms drift between closeness and distance. The composition unfolds across the surface without a fixed narrative or resolution.

Large areas are intentionally left open, allowing tension and stillness to coexist. Small animal forms act as grounding elements within the image. Horsehair is subtly embedded into the surface, extending an interest in materials that carry both physical and symbolic associations.