Why Am I Dancing in a Warehouse?

This research project explores the architectural, cultural, and political significance of rave and dance venues across the UK, focusing on how these spaces function as spaces of identity, resistance, and community for marginalised groups. Within the past four years, the UK has seen an alarming 480+ night-time and club closures. This project explores how gentrification, policy neglect, and cultural erasure are contributing to the closure of grassroots music spaces.

Drawing from historical and contemporary case studies, the research explores the cyclical nature of rave culture, from illegal warehouse raves to temporary liminal spaces that echo the anti-establishment values the culture was born out of. These spaces, often found in disused industrial areas, create spaces of anonymity, safety, and freedom, particularly for LGBTQ+, Black, and minority communities.

The work, both analytical and personal, weaves in personal experience of grassroots venues and rave experiences to highlight how these spaces foster genuine connection outside of mainstream. Showing the importance of creating moments of shared euphoria rooted in solidarity, music, and spatial intimacy.

Ultimately, the research project argues for a renewed recognition of rave venues not just as entertainment sites but as vital cultural infrastructure. It calls for an architectural and urban response that preserves, supports, and reimagines smaller, adaptable, and community-led venues that serve those often pushed to the margins of city life.