Communication Design School of Design
Yiting Yang

Yiting Yang specializes in using technology and digital media to create impactful visual communication. Her work often engages with social issues, exploring the relationship between individual and broader societal structures. She is currently working as a freelance designer, collaborating with clients online while continuing to explore the possibilities of visual design.

Future Archaeology
This project views the year 2025 through the lens of 2125, exploring how food reflected and reinforced social divisions. Today in 2125, society is sharply divided: the upper class enjoys fresh greens from private cultivation zones, while the lower class survives on synthetic nutritional blends. This exhibition unearths food relics from 2025 like vegetable packaging, dinner plates, and canned goods. In 2025, freshness was a symbol of wealth. This obsession with freshness laid the foundation for the food divide we see today.
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Golden Record Voyager
This project is inspired by the Golden Record, a metal disc launched on NASA’s Voyager spacecraft in 1977. It carries sounds and images from Earth, sent as a message to unknown life forms in space. The project tells its story from the perspective of the record, drifting like a message in a bottle through the silence of space. By revisiting this object, it reflects on the ongoing question: who are we? What are the chosen fragments on record say about us?
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Our Patterns
This project is a set of three zines that document the lives of Chinese ethnic minority students studying in the UK. Their own cultural traditions blend with their experiences abroad, creating a unique story of identity and belonging. Traditional patterns from their communities appear throughout British cityscapes, weaving a new kind of visual language. This work explores cultural exchange and how young people navigate between heritage and new environments, using design to express who they are in a foreign land.
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Light Pollution
I used p5.js to create a generative visual response to the poem Light Pollution by Nick Laird. Through code, I translated the abstract emotions of the poem into a dynamic visual language that simulates the spread of artificial light in the night sky. I chose coding as a media because its rational, structured nature contrasts with the emotional weight of the poem, creating a dialogue between logic and lyricism.