Search

Gender, Identity and Representation

From trans joy to Black feminism; gender fluidity to media representation – these works explore the intersecting aspects, questions and challenges of gender today.

Boat People (2025)
Boat People (2025)
by Ronan Deane Donnachie
work
by Louie Wade
The Partygoers
by Rosie Boyce
The Holy Mountain Film Poster
by Maya Randall
Common Threads
by Bianka Majer
.
Controlled Chaos
by Lisa-Carlotta Küsters
Sketchbook Pages
by Lisa-Carlotta Küsters
An Exercise in Tethering-to
by Aurora Bucca
Erin Marshall
by Erin Marshall
Bumblebee 2025
The Bumblebee (2025)
by Ronan Deane Donnachie
Me and ‘Me’
Pearls of the Indian Ocean
by Elena Edwards
A young man balances between a wall and floor extending a knife toward the ground in an otherwise empty room.
Pieces Like A Lizard
by Rohan Mahoney
Distemper painting of figure with scissors thrown to the head
Watchers
by Anna De Souza
Distemper paintings of conjoined twins
Conjoined Twins
by Anna De Souza
Familiar, but wrong
by Yichen Lin
‘unmaking’ of the ‘Making’ installation
by Jess Pickering
‘unmaking’ of the ‘Making’ etching tests
by Jess Pickering
Osontsenyi / Sunlit
by Varvara Yurenko
RePlay – Self Initiated
by Abi Scott
Peculiar Company, Oil on Canvas, 100x100cm 2025
by Hope Dunlop-Lynn
Peculiar Company, Oil on Canvas, 100x100cm, Details
by Hope Dunlop-Lynn
You”ll Never be a Zebra, Oil on Canvas, 110x170cm, 2026
by Hope Dunlop-Lynn
You”ll Never be a Zebra, Oil on Canvas, 110x170cm, 2026 Details
by Hope Dunlop-Lynn
Call a Priest, Oil on Canvas, 105x105cm, 2026
by Hope Dunlop-Lynn
Call a Priest, Oil on Canvas, 105x105cm, Details
by Hope Dunlop-Lynn
Turn Dial, Oil on Canvas, 100x100cm, 2026
by Hope Dunlop-Lynn
Turn Dial, Oil on Canvas, 100x100cm, 2026, Details
by Hope Dunlop-Lynn
Poetry 1-6
by Hope Dunlop-Lynn
Anthropomorphic Drawings
by Hope Dunlop-Lynn
As You Were Taught
by Ellie Higgins
Concept
by Amy Al-Khoury
Oil painting of a woman wearing a polka dot dress taking a selfie in a dresser mirror with a bed, air conditioning unit, and Venetian blinds behind her.
November 25, 2023  7:18:24 PM
by Kate Glenn
oil painting in a predominantly orange hue that depicts a woman with tattoos in a body con, digitally printed dress and bright green sandals taking a selfie in an entryway with a tiled floor and two panels of 6 mirror squares facing each other in front of and behind her.
48 Minutes Before Consensual Jouissance
by Kate Glenn
photo of a CMYK screen print photographed on a wooden floor. The image that was screen printed is a selfie taken on a phone. The woman is on a bed, nude but covered up by her hand and angles. Her reflection is in the background.
I love you, I trust you.
by Kate Glenn
BUZZIN’
by Sunny Yoon
For Drawing Out Loud~
by Sunny Yoon
over the shoulder view of a projection showing a tattoo needle on a white background
Georgia
by Abi Rosa Ebbatson
Anti-Bland Armour
by Belle Breslin
Fabricated Orient: The Archive
by Shuhan Jia
I Love Charing Cross and Charing Cross Loves Me
by Yumeng Tian
Fabricated Orient
by Shuhan Jia
Gated
by Owen Stefani-Bose
‘Dhivehige Anhenun / ދިވެހިގެ އަންހެނުން’, Film
by Malak Naseem
‘Aishath, Aminath, އާމިނަތު, އައިޝަތު’
by Malak Naseem
‘Aishath, Aminath, އާމިނަތު, އައިޝަތު’ – Installation
by Malak Naseem
How do you spell Scotland?
by Maya Lo
Chora
by Coire Simpson
The Young Girl and Other Modes of Production
by Mary Woods
Métisse
by Josie Chanfi
‘Birdhouse’ Final Collection
by Lara Mallen
IMPACT*
by Laura Mameri
Posters of the Palestinian Left
by Jacob Heaton
Degree Show Overview- Note to Self
by Arabella Goff
Taxonomy of Becoming
by Josie Williams
Dissolution
by Josie Williams
Fragile Bodies
by Josie Williams
the model
by Carrie-Louise Matossian
– third floor
by Carrie-Louise Matossian
– second floor
by Carrie-Louise Matossian
– first floor
by Carrie-Louise Matossian
the extension
by Carrie-Louise Matossian
– ground floor
by Carrie-Louise Matossian
welcome to the fold
by Carrie-Louise Matossian
the fold void
by Carrie-Louise Matossian
users
by Carrie-Louise Matossian
the site
by Carrie-Louise Matossian
the concept
by Carrie-Louise Matossian
the fold
by Carrie-Louise Matossian
Liao Yang, Montreal, Scotland
by Xiyue Zhang
21 grams is the weight of the gap between the two things you are not
by Jacob Flint Oliver
The Body After the Screen
by Thea Crawford
Art would not survive without Women. Women would not survive without Art.
by Eve Isabella
An outside view of the roof terrace garden, with the turret in the back left of the image hosting the bar.
The Soul of the Collective
by Iona Taylor
A long open hallway, with raked ceiling, at the sides are privacy benches and at the end of the hallway the top of the ramp can be seen.
The Ears of the Collective
by Iona Taylor
A birch clad dance studio, with wood floors and ceilings and a mirror wall. With two dancers performing in the centre of the space.
The Lungs of the Collective
by Iona Taylor
This image shows a reception, with the name of the building 'The Still Collective' in large acrylic letters put on the front of a lowered accessible red sandstone reception desk.
The Pulse of the Collective
by Iona Taylor
A timber theatre space showing the seats a circular stage with a variety of dancers performing on the stage.
The Heart of the Collective
by Iona Taylor
The Spine of the Collective
by Iona Taylor
The First Breath
by Iona Taylor
The Still Collective
by Iona Taylor
Concept
by Iona Taylor
A picture of 4 dancers on the stage, one in a wheelchair and three with down syndrome. the dancers have a large silhouette of themselves behind.
Why Accessibility?
by Iona Taylor
Knitted Kitchen
by Emma ‘alba’ Scarlett
SWAN LAKE
by Luyao Wang