Search

Social Injustice

When equals are treated unequally and the unequal treated equally, what is our creative response? These works, often political or philosophical, span issues of race, class equity, isolation, disadvantage, migration and bureaucracy

Architecture of Dissent
by Ethan Phillips
Cognitive Dissonance in Black and White
by Margaret Susan Botchway
work
by Louie Wade
No Llore Por El Petróleo – I Didn’t Cry For The Petrol
by Valeria Guaimare
Sanctum, 2025.
Sanctum (2025)
by Ronan Deane Donnachie
Tech-Toys
Home & Away
by Fraser Bean
The Lines are Even
by Varvara Yurenko
LWTUA LWTU LWT LW L (2026)
by Jonny Keen
Degree Show documentation
by Varvara Yurenko
Mosaic of unrelated decisions (solutions)
by Varvara Yurenko
Connections of different colours
by Varvara Yurenko
Masquerade I, Oil on Canvas, 250x170cm 2025/6
by Hope Dunlop-Lynn
Peculiar Company, Oil on Canvas, 100x100cm 2025
by Hope Dunlop-Lynn
Peculiar Company, Oil on Canvas, 100x100cm, Details
by Hope Dunlop-Lynn
You”ll Never be a Zebra, Oil on Canvas, 110x170cm, 2026
by Hope Dunlop-Lynn
You”ll Never be a Zebra, Oil on Canvas, 110x170cm, 2026 Details
by Hope Dunlop-Lynn
Call a Priest, Oil on Canvas, 105x105cm, 2026
by Hope Dunlop-Lynn
Call a Priest, Oil on Canvas, 105x105cm, Details
by Hope Dunlop-Lynn
Turn Dial, Oil on Canvas, 100x100cm, 2026
by Hope Dunlop-Lynn
Turn Dial, Oil on Canvas, 100x100cm, 2026, Details
by Hope Dunlop-Lynn
Poetry 1-6
by Hope Dunlop-Lynn
Anthropomorphic Drawings
by Hope Dunlop-Lynn
29 Nights
by Avril Richford Riddick
Pro-choice Staff
by Avril Richford Riddick
A Shower of Flag Shaggin’ Pricks!
by Avril Richford Riddick
Snookered
by Avril Richford Riddick
Nobody’s Girl
by Avril Richford Riddick
We Are Watching!
by Avril Richford Riddick
Design is Action
by Yumeng Tian
Gated
by Owen Stefani-Bose
Freedom of the streets – Product Design and World Building
by Madeleine Bays
REHEARSALS
by Rita Rogers
ACT NOW Zine
by Libby Hiatt
ACT NOW
by Libby Hiatt
‘Dhivehige Anhenun / ދިވެހިގެ އަންހެނުން’, Film
by Malak Naseem
‘Aishath, Aminath, އާމިނަތު, އައިޝަތު’
by Malak Naseem
‘Aishath, Aminath, އާމިނަތު, އައިޝަތު’ – Installation
by Malak Naseem
How do you spell Scotland?
by Maya Lo
Bratach nan Croitearan (The Crofters’ banner)
by Sasha Opit
Monopoly on Violence
by Jacob Heaton
The Coeliac Collective
by Maryam Rashid
IMPACT*
by Laura Mameri
Dissolution
by Josie Williams
‘I’m working on building (tenement)’
by Dylan Hope
the model
by Carrie-Louise Matossian
– third floor
by Carrie-Louise Matossian
– second floor
by Carrie-Louise Matossian
– first floor
by Carrie-Louise Matossian
the extension
by Carrie-Louise Matossian
– ground floor
by Carrie-Louise Matossian
welcome to the fold
by Carrie-Louise Matossian
the fold void
by Carrie-Louise Matossian
users
by Carrie-Louise Matossian
the site
by Carrie-Louise Matossian
the concept
by Carrie-Louise Matossian
the fold
by Carrie-Louise Matossian
The Next Storey
by Karolina Rykucka
Human Chess (2024)
by Jonny Keen
Student/Lecturer Partnership Project
by Iona Taylor
An outside view of the roof terrace garden, with the turret in the back left of the image hosting the bar.
The Soul of the Collective
by Iona Taylor
A long open hallway, with raked ceiling, at the sides are privacy benches and at the end of the hallway the top of the ramp can be seen.
The Ears of the Collective
by Iona Taylor
A birch clad dance studio, with wood floors and ceilings and a mirror wall. With two dancers performing in the centre of the space.
The Lungs of the Collective
by Iona Taylor
This image shows a reception, with the name of the building 'The Still Collective' in large acrylic letters put on the front of a lowered accessible red sandstone reception desk.
The Pulse of the Collective
by Iona Taylor
A timber theatre space showing the seats a circular stage with a variety of dancers performing on the stage.
The Heart of the Collective
by Iona Taylor
The Spine of the Collective
by Iona Taylor
The First Breath
by Iona Taylor
The Still Collective
by Iona Taylor
Concept
by Iona Taylor
A picture of 4 dancers on the stage, one in a wheelchair and three with down syndrome. the dancers have a large silhouette of themselves behind.
Why Accessibility?
by Iona Taylor
Masquerade I, Oil on Canvas, 250x180cm, 2025/6 Details
by Hope Dunlop-Lynn